All mixed up…

Its been a busy few weeks!  I’m working on lots of fresh content for the blog and wrapping the halfway point of my graduate studies at the University of South Florida.  I’ve also been spending a lot of time shooting and editing a promotional video that my Strategic Management class put together, as part of a strategic communication plan for the new Courtney Campbell Causeway Trail being built here in Tampa.  Its a multi-use trail that will cross Tampa Bay and link Tampa to Clearwater.

The video is a mix of footage from the Canon 5d Mark III and the Sony Nex5n – with a few time lapse sequences and two POV shots from a GoPro Hero3 Black.  I went for an old 8mm home movie look, so I blew out the highlights, over saturated the colors a bit and kept the dissolves to a minimum. I live in the Sunshine State, so I also gave everything my standard “Florida Sun Yellow” look.  We also wanted to showcase the wide variety of outdoor activities the Courtney Campbell offers so its something of a “day-in-the-life” of the Courtney Campbell Trail.  We presented it to the trail committee yesterday and they were very happy with the final product.

Everything has been slowed down anywhere from a little bit to a lot. Most of the Nex5n footage was shot at 60p and slowed to 40% in my 24p timeline, you can see that with the rolling waves. I just love, love, love that look — slow-motion and the ocean go together like chocolate and peanut butter. The 24-105L was the only lens I used on the 5d3. I really wanted to break out my Sigma 35/1.4 and 85/1.4, but its so bright outside I rarely got to use an aperture larger than f5.6. Since the 24-105L is weather sealed and stabilized, I just kept it on the camera at all times. I used the All-I codec for max quality, I’m really impressed with the image. Canon renders motion so smooth, it doesn’t have that strobe look that always makes me want to throw my Sony gear out the window. The 5n footage was all shot with adapted legacy lenses – and most of that was with my brilliant Kiron 105/2.8 macro lens. The dolly shots were all done on my little generic slider. Clients and the members of my work group are really wowed by the cinematic motion in a low-dough (or in this case free) video.

I really wish the Black Magic Pocket Cinema Camera was in hand. It would have been nice to have the extra dynamic range with all the extreme shadows and highlights you get shooting under blazing hot sun – which is pretty much every day here in Tampa. Keep your fingers crossed Black Magic meets its July release date.  If you have any questions, feel free to ask.   Thanks for checking my blog out.

chris

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